|
When registering to pitch a project to industry
executives at the TV/Film Rights Marketplace, you're required to submit an original Title,
Logline and Synopsis of the project, in addition to other
elements of the project's profile (subjects and themes) that may
apply, which together creates a "Treatment". Below are some
basic definitions with a bit of guidance for each. This should
provide some specific insight for understanding how a pitch should be
communicated for each main genre. There are no set rules, but
there are some essential practices that help bring your pitch to
life on the page.
What's A Treatment?: [def.- A detailed pitch or
summary of a story, format, or concept for the purposes of
selling to entertainment industry executives. Length and content
varies by genre, but will always include a Logline and
Synopsis.]
Title:
A great title is the first thing to draw in a
Producer, and ultimately the viewers. It should be clever and
clear. Clever, in the way the Title is unique, ironic,
compelling or funny. Clear, in the way it tells what it is we're
going to see. Stay away from creative titles that are so
off-the-mark there's no clue or even indirect suggestion as to
what the movie or tv show is about. Simple is great. Simple and
creative is even better.
Logline:
What's a Logline? A one or two sentence short
pitch that gives the main objective of a story or concept, as
well as any unique hook or twist. It does take talent to boil
down your overall concept into a one-two punch for a great
logline, so practice writing several until you hit on the right
message that will hook a potential buyer's interest in the
project. Here's a few approaches...
Logline for Screenplay or Movie Concept:
Focus on the main character of the story and his or her agenda.
You want to focus on the unique premise and circumstances that
fuel the story.
Logline for scripted TV Series:
Its all about character and circumstances. Key on the main
character's unique circumstances and overall agenda through the
series.
Logline for TV Reality Series Concept:
In a reality series logline you want to make impact by
illustrating the extremely unique or compelling circumstances,
set-up, or content for the show. Be very straight forward, and
give the big hook or payoff that it leads to. If pitching a docu-series
based on people or a profession, detail the subject and unique
circumstances that would indicate it'd be entertaining to watch.
Logline for Docu-Style Series:
This would have the same approach as a logline for a "reality"
series, but you'll want to focus on the person, family, company
or venue involved, angling for what makes it a unique and
entertaining subject for a series.
Logline for Book Adaptation:
Communicate very briefly the narrative or subject of the book,
and what makes it unique. It will most often be solely focused
on the main character's experience or path in the story.
Synopsis:
Synopsis for Screenplay or Movie Concept:
This may be 1 to 7 pages, covering the major and critical plot
points as they unfold in your screenplay or concept. If your
story or concept is fully developed, specify Acts 1, 2 and 3 in
your format. You'll want to focus on writing a very compelling
set-up and circumstances for the main character. Focus most of
the synopsis' writing on their journey, the conflicts and
challenges they encounter, any unique twists of irony, and of
course a climax or resolution that is compelling and unique. Be
efficient and avoid too much expository writing. Every sentence
needs to move the story forward, and every paragraph needs to
enrich the plot and build quickly toward the third act and
climax.
Synopsis for scripted TV Series:
This may be 2 to 5 pages. Focus on the main character, the world
we're discovering through them, and the circumstances of their
life. Provide detailed character descriptions to illustrate
their relationship dynamics. Detail a sample episode outline for
the pilot (a few paragraphs), and perhaps a list of possible
episode premises.
Synopsis for TV Reality Series Concept:
This may be 1 to 3 pages. The key to good reality format
writing is to be able to describe what we're potentially
watching. Some new writers get too caught up in the high concept
or "idea" of the show, when the real challenge is in specifying
what we're actually watching in the series. Set the
circumstances for the series describing how it progresses, who
is involved, and specific examples of outcome. Also keep in mind
that there should be a specific goal, or ultimatum involved.
Although reality TV is unscripted, you need to create scenarios
and circumstances that create potential for drama, humor, or
other entertaining content.
Synopsis for a Documentary Series:
Since most docu-style series focus on people, professions,
or special interests, you'll want to focus on describing the
specific people or subjects involved and what makes their world
unique. Characters and conflict are the fuel for any popular
docu-series, and this may be found in a family business,
profession, lifestyle or other venue. Provide specific
background details, and again, "what we're actually watching".
Include any Bio info, web links, or other notable info. If you
have any web-links to video of the people or venue, this really
helps. Include the URL Address (http://www.----------, etc.) of
any videos at the bottom of the synopsis for Producers to
navigate and view.
Synopsis for Book Adaptation:
Focused almost solely on the main character's experience in the
story, provide a summarized view of the book. This can simply be
the back-cover of the book, or a more detailed treatment of the
manuscript. Keep it condensed, as you'll pull more interest from
Producers by focusing on the most pivotal moments in the story.
Writer
Registration
Publisher Registration
Back To Homepage
|