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"Talking TV/Film Rights"
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TV/Film Rights Marketplace | Executive Interview
Brandy Rivers
Manager/Production Executive
Magnet Management
 For
those of you with great stories- be they books, scripts, true stories, or other,
Brandy Rivers is a person you want to know. As Manager and Production Executive
for Magnet Entertainment, she handles both film makers and literary talent, as well
as spearheading original projects from development through production. Ms. Rivers
brings an elite history of experience having worked with some of our industry's
most prolific Producers at Jerry Bruckheimer Television and Summit Entertainment.
We're privileged to have
her share her thoughts and insight with our members and friends at the TV/Film Rights
Marketplace.
TVFilmRights.com - Thank for sharing your time with us, Brandy. How’d
the summer turn out for you at Magnet?
Brandy Rivers - Of course! It’s been very busy
as we’re currently pitching TV series while also developing feature films
with our clients.
TVFR: How did you find your start in the film industry,
and what brought you to your position with Magnet?
BR: I was very fortunate to get my start working
at Jerry Bruckheimer Television. I worked under Jonathan Littman, President
of JBTV and a prolific Executive Producer, and was lucky enough to work on current
and development for such shows as the CSI franchise, WITHOUT A TRACE, COLD CASE,
and E RING. After years in television, I took a leap of faith and joined Summit
Entertainment so I could learn the film business. It was at Summit where I
really got to see first hand the filmmaking process, working on projects like TWILIGHT,
SEX DRIVE, and KNOWING. It was there were I fell in love with books to film.
Really wanting to combine the three areas (TV, Film, and Publishing)
I joined Magnet.
TVFR: Magnet not only Produces for major studios, but
manages talent such as Writers and Film Makers. How does this enrich your job? Are
you involved in the early development stages?
BR: Yes, I come on board in the very early stages.
Sometimes I will find a book, article, idea, or even just a title and bring
a writer on board to turn it into a movie. That process is emotional, creative,
and very fulfilling. It’s what I came here to do.
The most enriching part of
my job is working with and finding young writers. Having a unique voice in
your writing is talent, but understanding the very tough market is a learned skill.
I love helping writers understand that process.
TVFR: Can you name a few of your favorite projects you’ve
worked on? And what, specifically, did you love about that process?
BR: Wow, I don’t even know where to start.
Some of my favorites are the ones I’m selling right now... I have several
TV shows and an animation feature that I’m pitching. And right now,
those projects are my babies. The others feel like I raised them and they
went off to college already.
TVFR: At the TVFilmRights.com we have a variety of writers
and producers, selling screenplays, concepts, book sub-rights, true stories and
life story rights. What types of projects do you gravitate toward when scouting?
What do you prefer to produce?
BR: I gravitate towards things that are unique
and interesting. A unique voice, a fresh story, or even a fresh take on an
old story. I realize that may not be as specific as you want, but honestly,
anything that catches my eye, I want to see.
TVFR: Can you share some insight on Magnet? Where is
their focus, and what types of projects do you see yourself producing with them
in the future?
BR: Passion. Passion drives everything
in this business and it’s 100% what drives us. If it’s something
we are willing to fight for everyday, then we’re going to do it.
TVFR: If someone has a truly amazing story or life experience
that may translate well for film, do they need to be a Writer in order to sell that
as a project? I guess, more specifically, for true stories... how much detail and
material do you need to take it on?
BR: Actually, in most cases I would say that if
someone has a true life story, it’s better if they do not want to write it.
It’s totally fine if you are a writer, but writing your own story is
actually much harder than you may expect. In translating to film/tv some things
have to be changed to make it more commercial, or make the character arcs work,
etc... people writing their own life story, don’t feel as comfortable changing
things as another writer would. And lastly, you’d be amazed at how many
people find the story more emotional when small elements have been created to make
the adaption more suitable for the big screen. I have done this so many times,
that when someone comes to me and wants to write their own story, I try to sway
them away from. For everyone’s sake.
TVFR: How do you feel services like TVFilmRights.com
help the industry, and process of filmmaking?
BR: It gets more stories out there. If there
wasn’t a resource for this, the rest of the world wouldn’t have a voice
in Hollywood.
TVFR: What part of your profession do you enjoy the most?
BR: Creating. Everyday my job is to create. Make
characters more interesting, set pieces bigger or more innovative, story plot cleaner
and easier to follow. Having a vision and collaborating is what this business
is about, and it’s so exciting to me. And nothing feels more satisfying
and rewarding than seeing the finished product for the first time.
TVFR: What’s the greatest challenge of Producing?
BR: Finding great material. And of
course, getting all of your filmmakers to be available at the same time. Movies
fall apart over schedules.
TVFR: As a movie-fan, what genres are your personal favorites
to watch.
BR: Comedy, Thrillers and big Action. Mostly,
great stories that involve well developed and interesting characters. If it
makes me laugh, cry and even get a little scared, I’m in. But no Horror.
TVFR: Is Hollywood today as closed as it is always been
perceived, or has it grown to be a truly collaborative industry that’s open
to groundbreaking concepts and new talent?
BR: With the internet it’s much more open.
I have signed clients off of youtube videos, blogs, and make book deals for
blogger who didn’t even think of themselves as a writer. I have seen
one guy go from completely broke, with no car, place to live, etc to making a million
dollars the following year. If this business is your passion, listen to the
feedback that you get, learn, and keep creating. Never give up.
TVFR: What advice can you give to the aspiring Screenwriter,
related to selling projects?
BR: Selling scripts is hard in this climate, so
my biggest piece of advice would be to make sure your characters are very well developed.
Your characters are people too, and a writer should think about them that
way. What drives them, why are they doing what they are doing, and a writer
should know the small things too. This will help make your characters more
relatable, and easier to follow throughout the story. Here’s a list
of some of things that you should ask yourself when creating a new character for
your script:
-
What are his/her secrets?
-
Describe specifically what their needs and wants
are.
-
Understand how he/she relates to others.
-
Ask yourself what this person would do while no one
is looking.
Also, tell a story that is
true to who the writer is as a person. The more someone can relate to their
story, they can put a piece of themselves on the page. This will shine through
and show a strong voice. If you don’t sell your script, it will probably
at least lead to industry recognition.
TVFR: Any message you’d like to send to publishers
selling their book sub-rights at TVFilmRights.com? Any mandate to pass along?
BR: Great ideas are hard to come by... they always
stand out. And remember in this business you’re only out when you quit.
TVFR: Thanks for being with us. We look forward to your
continued success!
BR: It has been my pleasure!
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